As a Human Amongst Other Humans and The Immanence of Potentiality: On Separating Art from Artist

Although our topic will remain unchanged, the purpose of this piece will be to sketch out a number of thoughts concerning the extent to which art can, or cannot, be separated from the artist, before presenting our answer to the question at hand with some concluding thoughts. Before we can even begin to address the question of art’s ‘separability’ from the artist, we must first address the nature of ‘Art’ itself and the relationship between ‘art’ and the ‘artist’.

On Animation and ‘The Story’: Interpreting Kubo and The Two Strings

For many, animation is an art form indistinct from cartoons, and as such has developed a dubious consensus amongst many that the art of animation is restricted to the entertainment of children. Indeed, perhaps this tells us more about ourselves and how we understand Art, in addition to how the medium of art is bound with certain notions of prejudice and prejudgement, than animation itself. Although the widespread assumption that animation is exclusively for children may have arisen because of the paradigm forged by Disney, it is the purpose of this piece to dispel such a myth.