This is precisely what led us to this short enquiry about the relationship between Art and the most sexualised material, that which we call ‘Pornography’. Essentially what we intend to do here is simple. This short thought-piece will etch out some of our thoughts locating where the line stands dividing Pornography and Art. At its core, this question evokes a query concerning location – i.e. the space at which Art becomes Pornography and Pornography Art.
Although our topic will remain unchanged, the purpose of this piece will be to sketch out a number of thoughts concerning the extent to which art can, or cannot, be separated from the artist, before presenting our answer to the question at hand with some concluding thoughts. Before we can even begin to address the question of art’s ‘separability’ from the artist, we must first address the nature of ‘Art’ itself and the relationship between ‘art’ and the ‘artist’.
For many, animation is an art form indistinct from cartoons, and as such has developed a dubious consensus amongst many that the art of animation is restricted to the entertainment of children. Indeed, perhaps this tells us more about ourselves and how we understand Art, in addition to how the medium of art is bound with certain notions of prejudice and prejudgement, than animation itself. Although the widespread assumption that animation is exclusively for children may have arisen because of the paradigm forged by Disney, it is the purpose of this piece to dispel such a myth.